Poetry Friday & NPM: Writing Wild, Day 9

Carolyn Merchant‘s 1980 book, The Death of Nature: Women, Ecology, and the Scientific Revolution is, according to Kathryn Aalto, “one of the most important feminist books ever written.” (Writing Wild, p. 102) I am embarrassed to admit I had never heard of it. In her groundbreaking book, Merchant “analyzes environmental history to frame the relationship between the natural world and humanity, particularly gender and the environment.” (Writing Wild, p. 103) She also helps give rise to the idea of ecofeminism, or “a feminist approach to understanding ecology.”

Merchant’s ideas are new to me, so I needed a poetic form that could help me distill them and gain some deeper understanding. I find that acrostics sometimes give me a vocabulary for a topic and get the words flowing, especially if its a topic I don’t know a lot about. This seemed like a good place to start. And because it’s the end of a long week, it also seemed like a good place to stop for now.

Ecofeminism

Earth, mother to all,
Cradles and nurtures the
Organic cosmos,
Fuels the vital forces of
Ensouled beings.
Magical traditions are
Inextricably linked, a vast symbiotic
Network, millenia in the making.
Its equilibrium has been disrupted, no longer
Sustainable, thanks to
Mechanization and greed.

Draft, © 2021, Catherine Flynn

Photo by Robert Holmgren via Wikipedia

Previous Writing Wild posts:

Day 1: Dorothy Wordsworth
Day 2: Susan Fenimore Cooper
Day 3: Gene Stratton-Porter
Day 4: Mary Austin
Day 5: Vita Sackville-West
Day 6: Nan Shepherd
Day 7: Rachel Carson
Day 8: Mary Oliver

Please be sure to visit Tabatha Yeatts at The Opposite of Indifference for the Poetry Friday Roundup!

Poetry Friday & NPM: Writing Wild

Welcome to the first Poetry Friday of National Poetry Month! Today’s post is my response to my critique group’s monthly prompt. This month, Linda Mitchell challenged the Sunday Night Swaggers to

See something in many ways, then write a poem patterned after Pat Schneider’s ‘The Moon Ten Times.’

The object and the number of different views was our choice.

Today’s poem is also the second poem in my NPM project, Writing Wild. Susan Fenimore Cooper is the second author featured in Writing Wild: Women Poets, Ramblers, and Mavericks Who Shape How We See the Natural World. Like Dorothy Wordsworth, Susan Fenimore Cooper is remembered mainly in relation to her famous father, James Fenimore Cooper. Also like Dorothy Wordsworth, she was a fine writer and is considered to be “America’s first nature writer.”

Rural Hours, Susan Fenimore Cooper’s best know work, captures the daily rhythms of the natural world in early-nineteenth century Cooperstown, NY. Her entry for March 22nd describes “the return of the robins.” Since returning robins are still a sure sign of spring, I took this line for the title of a week’s worth of observations of this beloved bird.

“The Return of the Robins” 

Flash of red
against blue sky:
the robins have returned!

A riot of robins patrol 
dormant hay fields:
the borderland between 
winter and spring.

Yellow-billed
tug-of-worm champ:
nightcrawlers beware!

Adorned in feathers fine as silk,
round red breasts
reflect the morning sun.

Feathered flutists 
fill the dawn
with their winsome refrain:
Cheer-up, cheer-up, cheer-up

Scavenger of sticks
and straw:
nestchitect

Mud-daubed nests
filled with a trove of turquoise eggs:
promises for tomorrow.

Draft, © 2021 by Catherine Flynn

Please visit my fellow Swaggers to read their responses to Linda’s challenge:

Molly Hogan @ Nix the Comfort Zone
Linda Mitchell @ A Word Edgewise
Heidi Mordhorst @ My Juicy Little Universe
Margaret Simon @ Reflections on the Teche

Then head over to Mary Lee’s blog, A Reading Year, for the Poetry Friday Roundup and more NPM celebrations!

Poetry Friday: National Poetry Month Warm-Up

T.S. Eliot may think that “April is the cruelest month,” but I’m over March and looking forward to National Poetry Month. I’ve been planning a project that I’m excited about, but am not ready to share the details today. While I was tidying up my classroom this afternoon it occurred to me that some book spine poetry would be a good way to warm up for next month. Here are a few short poems, courtesy of some of my favorite authors.

Ask me
how to heal a broken wing:
love
I wonder
how to read a book.
Follow the recipe
after dark.
You nest here with me,
this place I know.
The wisdom of trees
sweep up the sun
green on green
If you come to Earth,
hike
a world of wonders.
Footprints on the roof.

Looking forward to seeing you all next week for the beginning of National Poetry Month. In the meantime, be sure to visit Susan Bruck at Soul Blossom Living for the Poetry Friday Roundup.

Poetry Friday: March Swagger Challenge

It’s the first Friday of March. Time for another Sunday Swagger Challenge. Each month, one member of my critique group poses a challenge for us all to respond to. This month, Margaret Simon posed a very flexible prompt: “Using any book, choose three page numbers. On the chosen pages, find one word to use. Write a poem.”

This seemed very manageable. One of my students has been reading Kate DiCamillo’s books, and Kate’s exquisite use of language has always inspired me, so I pulled a copy of Flora and Ulysses: The Illuminated Adventures off the shelf and found these three words: variations, floating, glowing

An image of clouds came into my head as I considered these words. Here is the draft I came up with:

Clouds

Tenuous ideas cling together,
like water droplets fusing
into wisps of clouds floating
in an azure sky.

Slowly, word by word,
a line forms.
Line follows line
until they coalesce 
into a poemling,
glowing with promise.

Maybe this baby poem,
fragile as it is,
is a variation on an old theme.

No matter.
Just as clouds come in all
shapes and sizes,
possibilities for poems
are infinite.

And so we keep on
writing.

Draft, © 2021, Catherine Flynn

Photo by Brett Jordan via Unsplash

Please be sure to visit my fellow Swaggers to read their responses to Margaret’s challenge:

Heidi Mordhorst @ My Juicy Little Universe
Linda Mitchell @ A Word Edgewise
Margaret Simon @ Reflections on the Teche
Molly Hogan @ Nix the Comfort Zone

Then be sure to head to Kat Apel’s blog for the Poetry Friday Roundup.

 

Poetry Friday: Winter Morning

Every month, one of my critique group partners poses a challenge to the group and we all post our responses on the first Friday of the month. This month, it was my turn to come up with a prompt. Since life has been challenging enough lately, I wanted to pose more of a supportive opportunity than a challenge. This passage from S. Kirk Walsh’s essay “How E.L. Doctorow Taught an Aspiring Writer to Hear the Sounds of Fiction” in The New York Times Book Review was exactly what I had in mind:

For the final writing assignment, Doctorow asked us to choose one of the works on the syllabus and borrow — or steal — from it in a fiction of our own... I chose “The Waves”: I copied Woolf’s sentences word for word, then replaced her language with my own.

So our challenge was simply this: Copy a mentor poem (or other text) “word for word, then replace [that poet’s] language with your own.” Finding a mentor poem was easier than I thought it would be. Looking for another book, I found Light & Shadow (Holiday House, 1992), a book of poems by Myra Cohn Livingston inspired by photographs by Barbara Rogasky. Livingston’s poem, “Late Afternoon,” caught my attention immediately.

“Light rests
in the crooked
elbows and branches of
old trees,

drowses
in the shadows
of moss-covered rocks, naps
In piles

of leaves
scattered over
forest floors, stretches out
to sleep

and dreams
itself wearing
a shining necklace of
dewdrops.”

Isn’t that stunning?

Here is the poem my “borrowing” inspired:

Winter Morning

Light seeps
through the outstretched
fingers and branches of
bare trees,

rouses
birds, roosted
in a tangle of brush, quickens
the blood

of cardinals and jays,
who flutter around
snow-covered feeders, reaches 
deep into the shadows

and dreams
itself wearing
an iridescent crown of
feathers.

Draft, © 2021, Catherine Flynn

Please visit my fellow Sunday Night Swaggers to see where their borrowings led them:

Heidi Mordhorst @ My Juicy Little Universe
Linda Mitchell @ A Word Edgewise
Margaret Simon @ Reflections on the Teche
Molly Hogan @ Nix the Comfort Zone

Then head over to Jone Rush MacCulloch’s lovely blog for the Poetry Friday Roundup.

Poetry Friday: Resilience

Is it still January? It hardly seems possible. My coping strategy for the tumult of the past few weeks has been knitting: 8 hats since Christmas. All that knitting equals very little time for writing. But I miss the routine of Poetry Friday. So today I’m sharing a poem I wrote back in December for a workshop with Georgia Heard. As always, Georgia inspired us to stretch ourselves by writing variations on the cinquain. This draft is a butterfly cinquain, a “nine-line syllabic verse of the pattern 2 / 4 / 6 / 8 / 2 / 8 / 6 / 4 / 2.” It needs more work, but it’s an important reminder for me today.

Resilience

A wild
verdant glade where
feathery ferns unfurl,
moss creeps into every hollow.
Air hums
alive with rustling cicadas,
while sprouts stir in ancient
spruce stumps: fragile
saplings.

Draft, © Catherine Flynn, 2021

Please be sure to visit Jan Godown Annino at Bookseedstudio for the Poetry Friday Roundup!

Poetry Friday: Nestlings from the Natural World

At the beginning of each month, my critique group partners and I take turns challenging one another to try a new poetry form. This month, Heidi Mordhorst suggested that we write nestlings: poems found within a single poem that we wrote. Heidi’s challenge was inspired by Irene Latham‘s brilliant and joyous book, This Poem is a Nest. In her introduction, Irene explains that she was inspired by watching “robins build a nest” and realized that “poems are nests–and we poets spend much of our time nest-building. We gather words, ideas, and dreams, and then we set about weaving, arranging, and structuring. “

I love everything about this book: the concept, the poems themselves, the illustrations. Irene mined four “nest” poems (one for each season) and came up with 161 nestling poems. Her creativity shines in the way she organizes her nestlings. There are poems about colors, emotions, months of the year, animals, and more. This book is a treasure and an inspiration. What a fun challenge!

Then reality sunk in and I had to actually choose a poem to work with. After several false starts, I decided to mine several poems I wrote during National Poetry Month last April. My project for the month was a series of poems I called “News from the Natural World.” All of the poems had some connection to nature, both from my yard and across the galaxy. (Links to all the poems can be found here.) I chose to look for nestlings in two of my favorites, “Praise Song for the Natural World” and “An Earth Day ABC.” Like all found poems, the words are in the same order as in the original poem. Titles can be added and don’t have to be in the original poem. Those words are bolded. I might have added an “s” to the end of a word or two. 😉

Praise Song for the Natural World

Each day, wild creatures go about the work of survival.
A vibrant bluebird flits through the undergrowth
in pursuit of an alluring female.

High in a pine, a nesting hawk surveys
the countryside, screeching in protest
at a mob of pesky crows.

All around, color is brightening the drab world.
Brilliant yellow dandelions are open for business
and hungry bees buzz joyously among them.

Violets sprinkle the hillside like confetti
And every shrub and tree is wrapped
In a fine haze of green or pink or red.

In the pond, clumps of frogspawn
are silently, mysteriously on their
journey of transformation.

Praise song for their confidence, their
optimism in the face of a fickle world,
for their honest pursuit of life.

Praise song for every blossom, every nest, every egg.

Draft, © Catherine Flynn, 2020

Nestlings from this poem:

Each morning

bird-bright
joy
confettiwraps
the world

Eyes of a

wild hawk:
round,
brilliant,
mysterious

A mob of crows
buzz trees,
rap their confidence

Yellow lions
hungry, silent.
Journey in
pursuit of life.

Red

Vibrant growth
brightens
hill and shrub:
world blossom

An Earth Day ABC

An atlas of the world can’t
Begin to reveal the
Complexity of connections, the
Diversity of life on
Earth.
For centuries, curious humans have
Grappled with questions, searching across
Hemispheres, seeking
Insights into our home, finding pieces of the
Jigsaw puzzle, gaining
Knowledge and
Learning the lessons
Mountains teach us. The earth
Nurtures and nourishes us. We are
Obligated to
Protect her, preserve her. Our reckless
Quest for riches is irresponsible. Actions
Ripple across the globe, casting
Shadows on life everywhere.
Today and everyday, seek to
Understand the
Vulnerability and vitality of our
Wondrous world.
eXchange hubris for humility. Change begins with
You.
Zoom in and discover nature’s abundant gifts.

Draft © 2020, Catherine Flynn

Nestlings from this poem:

apples
know lessons,
nourish us:
nature’s gift.

Twilight

Shadows–
where 
change 
begins.

The River

ripple
searching
seeking
home

This was a fun and thought-provoking adventure! Dozens of nestlings didn’t make it into this post, but I learned a thing or two about myself as a writer through the process and will approach revision differently in the future. Thank you, Irene, for this amazing book, and thank you, Heidi, for this great challenge! You can read how my other critique group partners approached this challenge at their blogs:

Heidi Mordhorst: My Juicy Little Universe
Linda Mitchell: A Word Edgewise
Margaret Simon: Reflections on the Teche
Molly Hogan: Nix the Comfort Zone

And don’t forget to visit Sylvia Vardell at Poetry for Children for the Poetry Friday Roundup and a sneak peek at what looks to be a bumper crop of children’s poetry arriving in 2021.

 

 

Poetry Friday: Holiday Knitting Edition

The season of love and joy is upon us. Paradoxically, the new is full of heartbreak and hope. We are staying home and will have a “Zoom” Christmas. I am thankful we have that option, and am thankful for my many blessings, including this amazing community. I’m taking a holiday hiatus, but didn’t want the year to end without sharing a final poem for 2020.

Over the past three weeks, I’ve been participating in one of Georgia Heard‘s poetry workshops through her Poet’s Studio. The focus of the workshop was poetic forms. We read and wrote cinquains, villanelles, sonnets, and more. Georgia introduced and discussed many other types of poetry, including found poetry.

Knitting has long been a passion of mine, and I’ve recently been knitting up a storm for my baby granddaughter, Hazel. I wanted to write a poem about knitting, but my brain power is limited these days. (Too many distractions; see first paragraph.) So today I’m sharing a found poem, culled from “Knitting for Poets: Elizabeth Zimmermann” by A.E. Stallings. I followed the rules and kept the words in the order in which they appear in the article.

“Knitting”

Sonnet-length baby sweaters
magically form beneath our hands:
texture and color,
the pleasure of materials.
Knit on
with confidence and hope
through all crisis.
Get lost together.
Well-worn wooden needles’
benevolent clack is soothing,
reassured.
Cherish them.
Knit.
Follow your secret heart.

Draft © Catherine Flynn, 2020

Hazel with her new stocking.

I wish you a safe, happy, and healthy holiday season. I hope to see you back here in 2021. Please be sure to visit the multi-talented Michelle Kogan at her blog for the Poetry Friday Roundup.

Poetry Friday: A Nonet

Earlier this week, I was lucky enough to spend time learning more about poetry (there is always more to learn!) from two of my poetry idols, Georgia Heard and Irene Latham. Irene talked about her writing, where she finds inspiration, and more. She also shared her charming new collection, Nine: A Book of Nonet Poems and guided us through the process of writing a nonet. Nonets have nine lines, beginning with one syllable in the first line, two in the second, and so on until you have a nine-syllable line. Or you can reverse the order and begin with nine syllables and work back to one. Irene explained there are many benefits of writing nonets (or any form of syllablic poetry), including forcing you to cut unnecessary words such as a, and, & the, “generating powerhouse words and ideas,” and expanding your vocabulary. She also encouraged us to come to poetry “with a sense of wonder.”

I thought of Irene’s words when I left my house the next morning and saw this in our old apple tree:

Although I was a bit chagrined at the damage to one of my favorite trees, I was also filled with wonder at the precision of these holes. With a little research, I discovered that this was the work of a yellow-bellied sapsucker. Who knew?

Of course I had to write a nonet about this determined little bird.

The Promise

Yellow-bellied sapsucker’s sharp beak
bores through bark, drills into heartwood.
Soon, neat rows of round sapwells,
like honeycombs, cover
tree trunks. Sweet liquid
oozes; insects
tumble in.
Lunch is
served!

Draft © Catherine Flynn, 2020

Thank you, Irene and Georgia, for all the inspiration!

Hop on over to Buffy Silverman’s blog for an interview with Janet Wong and Sylvia Vardell about their newest anthology, Hop to It! and the Poetry Friday Roundup.

Poetry Friday: Cheating on a Challenge

“Lily wanted to be a good place to land.”
Emily Winfield Martin

The first Friday of the month means my Sunday Night Swaggers critique group monthly challenge. This month, Molly Hogan challenged us to “Go to a book you love. Find a short line that strikes you. Make that line the title of your poem. Write a poem inspired by the line. Then, after you’ve finished, change the title completely.” (Molly found this prompt here.)

I liked this prompt immediately. The problem was which book to choose? There are so many books to love! Despite knowing the challenge several months in advance, I couldn’t decide on a book. And am I the only one who feels like teaching during a pandemic seriously compromises my ability to think straight after three o’clock? Good. Then you’ll understand when I confess that, even though this poem meets this challenge, it was written months ago. Sorry, Molly.

The line I chose is from The Imaginaries: Little Scraps of Larger Stories by Emily Winfield Martin.

The “scraps of larger stories” and paintings in this book are endlessly inspiring. They have a mystical and dream-like quality that makes me want to climb into them. (Read another poem inspired by this book here.)

Lily wanted to be a good place to land.

Hidden Riches

If a spotted yellow butterfly

lands in the palm of your hand
and whispers, follow me…

don’t be shy, don’t hesitate
let the breeze carry you

into a sun-splashed meadow

where caterpillars nibble,
beetles skim, and dragonflies hover

over clusters of clover,
milkweed, and thistle

Follow her through ripples of sedge
and ticklegrass

Keep your eyes and ears and heart
open to the mysteries hidden there:

a map to your true you.

© Catherine Flynn, 2020

I’ve been reading Kate DiCamillo’s Louisiana’s Way Home with a student over the past few weeks, and I thought about using a line from Kate’s wise writing for this challenge. In the end, I settled on borrowing the title of my poem from this line: “I guess you can never say what riches people contain.”

Please visit my fellow swaggers to see how they responded to this challenge.

Heidi Mordhorst @ My Juicy Little Universe
Linda Mitchell @ A Word Edgewise
Margaret Simon @ Reflections on the Teche
Molly Hogan @ Nix the Comfort Zone

Then head over A Year of Reading for the Poetry Friday Roundup. Be sure to wish our hostess extraordinaire, Mary Lee Hahn, a very happy birthday while you’re there!