#PB10for10: Picture Books and Environmental Awareness

“To describe the world more fully is to change it.
To let the world go undescribed is, in some way, not to know it, at one’s peril.”
~ Elif Batuman ~

I know. It’s August 12th. The tardiness of this post is due entirely to Tropical Storm Isaias and the havoc it wrecked on the power grid here in western Connecticut. Thank you for your patience, and thank you, as always, to Cathy Mere and Mandy Robek for creating and curating this celebration of picture books. Please be sure to visit Mandy’s blog, Enjoy and Embrace Learning to read all the lists contributed to this labor of love. It is teachers like them, and others in this community, who will keep the gift of stories alive for years to come.

Like many of you, I have watched the events of the past several months in shock. There are days when I can’t bear to listen to the news, afraid of whatever fresh horror has unfolded overnight. There are other days when I read voraciously, looking for answers, solutions, actions I can take that will make a difference. But honestly, most days I feel quite helpless. 

But deep in my heart I know the best action I can take is to educate my students. There have been so many important #BLM lists shared already this summer about picture books, chapter books, YA books and more, I knew I couldn’t add to or improve any of those. So I decided to take a different approach. One aspect of our current crisis is the environment. There are researchers who believe one reason the novel coronavirus made the leap from animals to humans is because of habitat loss. There have also been numerous reports about how environmental disasters disproportionately affect BIPOC communities.

In her book How to Do Nothing: Resisting the Attention Economy, Jenny Odell states that “Simple awareness is the seed of responsibility.” Caring begins with attention. People don’t, indeed can’t, care about something they have no knowledge of. So I decided to build my list around the environment, because, ultimately, the fate of Black lives, Latinx lives, Indiginous lives, all lives, are inextricably intertwined with the fate of our planet. 

Because of Covid, I experienced most of these books online, through read-alouds graciously permitted by publishers this spring. I look forward to soon being able to hold these books in my hands and share the beauty of these “descriptions of the world” with my students. 

Ocean Speaks: How Marie Tharp Revealed the Ocean’s Biggest Secret, written by Jess Keating, illustrated by Katie Hickey (Tundra Books, 2020)

                

If You Come to Earth, written and illustrated by Sophie Blackall (Chronicle Books, Sept. 15, 2020)

We Are Water Protectors, written by Carole Lindstrom, illustrated by Michaela Goade (Macmillin Publishers, 2020)

            

Honeybee: The Busy Life of Apis Mellifera, by Candace Fleming, illustrated by Eric Rohmann (Neal Porter Books, 2020)

Most of the Better Natural Things in the World, by Dave Eggers, illustrated by Angel Chang (Chronicle Books, 2019)

          

Green on Green, written by Dianne White, illustrated by Felicita Sala (Beach Lane Books, 2020)

A New Green Day, written and illustrated by Antoinette Portis (Neal Porter Books, 2020)

        

Outside In, by Deborah Underwood, illustrated by Cindy Derby (HMH Books for Young Readers, 2020)

My Friend Earth, by Patricia MacLachlan, illustrated by Francesca Sanna (Chronicle Books, 2020)

           

Over and Under the Rainforest, by Kate Messner, illustrated by Christopher Silas Neal (Chronicle Books, 2020)

My previous #PB 10 for 10 posts:

2019: Follow Your Heart

2018: Creative Imaginations

2017: Celebrating Nature

2016: Feeding Our Imaginations

2015: Poetry Picture Books

2014: Friendship Favorites

2013: Jane Yolen Picture Books

2012: Wordless Picture Books

 

 

 

 

Poetry Friday: The Roundup is Here!

Welcome to the Poetry Friday Roundup! (Find our more about Poetry Friday in this post by Renée LaTulippe here.)

When our world came screeching to a halt last March, my local indie bookstore, The Hickory Stick Bookshop, soon reopened for phone orders and curbside pickup. I was happy to keep them busy. But I was even happier when they reopened for in-person (with masks, plenty of hand sanitizer, and social distancing, of course) shopping. On my first trip, I found this book on the display table in the children’s section.

I have been a fan of Emily Winfield Martin’s work since I first discovered it several years ago. To have a whole book of her fanciful, dream-like images felt like a gift. The fact that there were “little scraps of larger stories” included with each image was an added bonus.

Since I brought The Imaginaries home, I have delved deep into the images and the ideas and feelings they stir in me. They have inspired quite a few poems, and I can’t wait to share Winfield-Martin’s paintings and words with my students. Here is one of my favorite images from the book and the poem it inspired.

“She never told anyone what she saw at the edge of the world.” Emily Winfield Martin

“The Edge of the World”

At the edge of the world
rocks rise from the fathomless
blue-green sea
spangled with starfish
forming countless constellations
that glimmer in the sun.

Explorers, untethered
from home, follow
limitless wonderings
to this far horizon,
braving perilous shoals
searching for secret songs
and untold stories
seeking unimaginable creatures,
discovering this truth:

Here there be mermaids.

© Catherine Flynn, 2020

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Poetry Friday: “Worth” by Marilyn Nelson

It no longer seems appropriate to say, “What a week!” It seems that every single day brings some new mind-boggling occurrence. This week, at least, the bad news has been balanced by two momentous Supreme Court decisions. Still, my heart hurts for our entire country. Recently, The New York Times acknowledged the power of poetry to bring us “solace, strength, and power” by asking many prominent poets, including Kwame Alexander, Joy Harjo, and Arthur Sze, what poets and poetry they have turned to during these tumultuous days. I read many of the poems recommended, thinking I would find some to share with the my middle school students. As I read, a link to Marilyn Nelson’s poetry came up. Marilyn Nelson, former Poet Laureate of Connecticut, is the author of many powerful books of poetry for young people and has long been a favorite of mine. This poem is from Miss Crandall’s School for Young Ladies & Little Misses of Color (WordSong, 2007), which she co-authored with Elizabeth Alexander.

Canterbury, CT 1833-1834

“Worth”

for Ruben Ahoueya

Today in America people were bought and sold:
five hundred for a “likely Negro wench.”
If someone at auction is worth her weight in gold,
how much would she be worth by pound? By ounce?
If I owned an unimaginable quantity of wealth,
could I buy an iota of myself?
How would I know which part belonged to me?

Read the rest of the poem here.

Amira Abdel-Aal and Shawna Coppola led a session on The Ed Collaborative this spring about ways to maximize student engagement with their writing. One of their suggestions was to share “provocations,” rather than prompts. They suggested that provocations are intended to “provoke thoughts, discussions,and questions.” This poem will do all of that and more.

Please be sure to visit Tricia at The Miss Rumphius Effect for the Poetry Friday Roundup.

Poetry Friday: Farewell to My Students

What to say this week? My heart hurts. The images of pain and anguish are unbearable. But we must bear them. So much has been lost. We must acknowledge this loss and take steps to repair the damage inflicted by events of the past week. Make that events of the past four centuries.

I was filled with thoughts of all this loss as I searched for a way into the challenge Heidi Mordhorst set for our Sunday Night Swaggers this month. Heidi’s original challenge was to write a poem of farewell to our students, but she then encouraged us to say goodbye to whatever we needed to. In spite of, or perhaps because of, what has unfolded in our country this week, I do want to say this to my students.

Lost & Found

By the beginning of June,
the lost and found bins
are overflowing
with coats
and sweatshirts
and lunchboxes.

But this year,
those bins aren’t as full.
This year,
we lost
days,
weeks,
months,
of time together.

As we tiptoe cautiously
into summer,
these are my hopes
for you:

Lose your Google password.
Go outside.
Find a patch of grass.
Lie down.
Look up.
Find a cloud shaped
like a cat,
or an elephant,
or a whale.

Lose the unfinished homework.
Find a book that pulls you in.
Read for hour,
after hour,
after hour.

Lose your sorrow
over missed parties
and games.
Find joy
chasing butterflies,
blowing bubbles,
eating ice cream.

Never lose your memories
of our time together.

I will never lose
my memories of you.

Draft © Catherine Flynn, 2020

Fellow Swagger Margaret Simon is hosting the Poetry Friday Roundup today at Reflections on the Teche. Read what she’s saying goodbye to there, then visit our partners in poetry to read more poems of farewell.

Molly Hogan at Nix the Comfort Zone
Linda Mitchell at A Word Edgewise
Heidi Mordhorst at My Juicy Little Universe

Poetry Friday: “How to walk around the block” by Michael Salinger

When school closed in March, there were no answers to a million questions. We had no idea how long school would be closed. No idea if distance learning was possible. And if it was, who knew what it would look like. There was one thing I did know: I needed my most trusted books and resources with me at home. One of the first books I put pulled off my shelf was Poems Are Teachers: How Studying Poetry Strengthens Writing in All Genresby Amy Ludwig VanDerwater. I know most people in the Poetry Friday community are familiar with this book (and many have their own poems published in its pages), but if you don’t know this book, do yourself a favor and order it today.

Just as I suspected, I have turned to Amy’s gentle wisdom about writing many times over the past ten weeks. Recently, as the weather has turned from a cold, dreary spring into glorious summer-like days, cabin fever has started to set in. I could sense a restlessness in my students (and in myself, for that matter). They needed an adventure.

Amy’s book is full of poems to inspire and strengthen student writing. In it, I found the perfect poem to launch my would-be travelers on an exploration of their neighborhood in Michael Salinger‘s poem, “How to walk around the block.” Michael’s poem invites readers to see their neighborhood, and themselves, with fresh eyes. My student’s couldn’t wait to go for a walk around their block to find what awaited them out there.

“How to walk around the block”
by Michael Salinger

Wear shoes.
If they have laces, make sure they are tied.
Pick a direction and go.
Double foot hop
over sidewalk cracks,
then stop and pick up a rock.
No snooping in your neighbor’s mailbox
(You’ll get in trouble if you get caught.)
Woof bark woof bark woof bark woof;
ask before you pet that dog.
That stick could use a new location.
Remember,
where you started is your destination.
‘Cause ’round the block
is a circle
(even if it’s really a square).
Arriving back at your front door,
you’ll be a different person
when you get home.

© 2018, shared with permission of the author

Many of you have also been writing #PoemsofPresence this month. Using Michael’s poem to encourage my students to find their own #PoemsofPresence fills me with hope as we head into a summer filled with unknowns. I hope we all can see the coming months as a time of discovery. Discoveries about our block, our neighbors, and most importantly, ourselves.

Thank you to Michael Salinger for allowing me to share his poem, and thank you to Amy Ludwig VanDerwater for her wonderful book. Please be sure to visit Mary Lee Hahn at A Reading Year for the Poetry Friday Roundup.

One of my recent discoveries on my block.
a hawk feather on the path
reminds me
I’m not the only one
who calls this place home.

Poetry Friday: The Comfort of Pie

Tomorrow is Pi day (3.14). We were going to celebrate at school today with a smorgasbord of pies. Instead, we are all home, hoping that closing our school will help prevent the spread of the coronavirus. We received word last night, before I made the chocolate cream pie my family loves. I was still too filled with worry and the stress of the week to bake last night. I may make it later this afternoon. After all, a piece of pie seems like a reasonable way to soothe the soul. 

We were also going to write Pi poems with the kids today, so I went ahead and wrote one that I hope I will be able to share with them soon. 

Chocolate
pie,
topped with dollops
of
whipped cream; nestled in
a crust of chocolaty crumbs. Divine.

From House of Nash Eats. Here’s their recipe: https://houseofnasheats.com/chocolate-cream-pie/.

Be well, my friends.

Please be sure to visit Matt Forrest Esenwine at Radio, Rhythm, and Rhyme for the Poetry Friday Roundup.

Here are other Pi day poems I’ve written over the last few years:

2018
2017
2016

Poetry Friday: The Question is Why

I spend my days helping kids learn to read. This is incredibly rewarding, but given the nature of how we learn, it can also be frustrating. Kids may read words with long vowels effortlessly one day, then forget they exist the next. So when one of my students was unable to read the word why (a word she knew the day before) not once, not twice, but three times in a row, I knew she needed a poem starring the word why!

There are at least 100 books of poetry in my classroom. I know I’ve seen a why poem somewhere. But after searching through the most likely volumes, I had nothing. Rather than spend any more time looking, I decided to write one. I quickly jotted down a list of why questions, using words that included a number of different phonics patterns we’ve worked on recently. She read it beautifully and loved it.

Fast forward to Sunday. As I was getting ready to meet with the Sunday Night Swaggers, I realized that our monthly challenge was coming up this week! I didn’t even remember what challenge Margaret had posed. A question poem! What on earth could I write about? I’m embarrassed to admit that it took me a few minutes to realize I’d already written one!

This draft is a more polished version of the poem I wrote for my student. It’s not perfect, but she likes it. And she now knows the word why.

Why?

Why do ships sail on the sea?
Why is the sky so blue?
Why do fish swim in the pond?
How I wish I knew!

Why does the moon shine at night?
Why is the grass so green?
Why do bees buzz in the garden?
Why won’t my room stay clean?

Why do ducks say quack, quack, quack?
Why can’t I answer back?

Draft © 2020, Catherine Flynn

Photo by Jenny Bess on Unsplash

What questions are my fellow swaggers asking? Find out by visiting their blogs:

Molly Hogan at Nix the Comfort Zone
Linda Mitchell at A Word Edgewise
Heidi Mordhorst at My Juicy Little Universe
Margaret Simon at Reflections on the Teche

Then head over to Rebecca Herzog’s blog, Sloth Reads, for the Poetry Friday Roundup.

In case you missed it earlier in the week, there is still time to be entered in my giveaway of David L. Harrison’s new book, After Dark. Read my post about using this book in the classroom here.

After Dark Blog Tour: The Final Stop

Welcome to the final stop on the blog tour celebrating the publication of After Dark: Poems About Nocturnal Animals, David L. Harrison’s 97th book! Congratulations, David! I am honored to be part of the festivities. Be sure to visit the previous stops (links below) on the tour for interviews with David about where he gets his ideas, his creative process, and more.

Over at No Water River, David told Renée LaTulippe that “being fascinated with the universe” is one of the major influences on his poetry. This fascination is contagious and shines brightly on every page of this gorgeous book. 

One sure-fire way to build students’ curiosity is to introduce topics through poetry. Which is why I was so excited to share After Dark with my students. Each of the 21 poems highlights the nocturnal comings and goings of familiar animals. The beauty of sharing these poems is that they are about animals children will recognize, but will extend their knowledge in playful and engaging ways.

David’s masterful poetry builds vocabulary and will foster a love of language in readers of all ages. First graders loved “Owl Rules,” a perfect mentor text for young writers. They will use this poem to organize what they have learned about animals they are studying. David’s categories are full of humor: “Never work for food,” “Eat whatever,” “Who needs a nest?” and “Tease campers.” Children will be able to adapt these categories or create their own.

Eighth grade students I work with are currently reading A Midsummer Night’s Dream. They quickly recognized similarities between Shakespeare’s play and “The Queen,” which is filled with rich and royal vocabulary: regal, ermine, suitors, serene.

“The Queen”
(Luna Moth)

Like regal monarch of the night
or fairy in the airy light,
richly robed in ermine white,
winged in velvet royal green.

Suitors you have never seen
find you here in woods serene.
You’ve much to do before the dawn
so when your fleeting life is gone,
future queens can carry on.

© David L. Harrison, 2020

Examples of poetic techniques also abound in After Dark. The rambunctious “growly, pouncy, bitey games” played by wolf pups in “The Rehearsal” is a great example of creating adjectives and making words rhyme. My students are excited to try this themselves! Other favorites, “Toothy Grin,” “The King,” and “Hear This! Hear This” focus on prominent features of the kit fox, the Mexican red-knee tarantula, and spring peepers, then emphasize them through repetition. This poetic technique is one that young writers can easily imitate. The possibilities are truly endless!

Observation is the best way to learn about an animal’s behavior and get ideas about a behavior to focus on in their poem. If heading outside to explore isn’t an option, critter cams are a great way to bring the hidden world of animals into your classroom and spark student writing. 

Stephanie Laberis’s expressive digital illustrations are filled with details that are perfectly suited to the personality David emphasizes in each poem. There are two pages of additional facts about each animal at the end of the book. Students could use these fascinating facts in their own poems.

Boyds Mills & Kane has generously donated a copy of After Dark to one lucky reader of today’s post. Thank you! To be entered in the drawing, leave a comment by Saturday, March 7th. If I pick your name at random, a copy of this delightful book will soon be on its way to you. Thank you, David, for inviting me to join in the fun, and for all your wonderful poetry!

Previous stops on the After Dark Blog Tour:

Writing and Illustrating

Beyond Literacy Link

Read, Learn, and be Happy

Poetry for Children

Teacher Dance

Michelle Kogan

Salt City Verse

Reflections on the Teche

Simply 7 Interview

No Water River

A Word Edgewise

Radio, Rhythm & Rhyme

Live Your Poem

Poetry Friday: “The Season’s Campaign”

This week, I’ve been thinking about verbs. Specifically gerunds and participles. (Don’t ask why!) The more I thought about this, I decided why wouldn’t you want to be able to turn power-house verbs into nouns and adjectives. What better way to energize your writing? I also wanted to gather some well-crafted lines showing exactly how gerunds and participles work. Joyce Sidman is one of my go-to mentors, and sure enough, I found several verbals, along with many other examples of fine writing, in this gem.

“The Season’s Campaign”
by Joyce Sidman

I. Spring

We burst forth,
crisp green squads
bristling with spears.
We encircle the pond.

III. Fall

All red-winged generals
desert us. Courage
clumps and fluffs
like bursting pillows.

Read the whole poem here.

“…clumps and fluffs like bursting pillows.”

Please be sure to visit Irene Latham at Live Your Poem for the Poetry Friday Roundup.

PB 10 for 10: Follow Your Heart

“Never lose your curiosity about everything
in the universe–
it can take you to places you never
thought possible!”

~ Sue Hendrickson ~

Thank you to Cathy Mere and Mandy Robek for creating and curating this celebration of picture books. Please be sure to visit Cathy’s blog, Reflect and Refine to read all the lists contributed to this labor of love. It is teachers like them, and others in this community, who will keep the gift of stories alive for years to come.

Coming up with a theme for this year’s PB 10 for 10 celebration was difficult. There were several new picture books that I loved, but at first I didn’t see an obvious connection between them. As I read and reread, though, patterns began to emerge. A path presented itself, and I followed. Each book I’ve chosen to share this year involves a journey or exploration. Some of these journeys cross the globe, others plumb the soul, some do both. All enlarge our imagination.

My Heart Is a Compass, written and illustrated by Deborah Marcero (Little, Brown, 2018), was my starting point this year. I have always loved maps, so this book appealed to me immediately. Maps show us the way, help us know we’re not alone and we don’t always have to rely on our own wits to help us find the path. In one way or another, these books may help readers find their way–even if it’s encouragement that sometimes we have to create our own paths and that’s okay, maybe even essential. They also help us understand that wherever we are on our path, someone else has been in a similar spot before, maybe are in a similar spot right now. How we respond and react to the spot we’re in is what matters. Getting love and giving love makes the journey so much easier.

Rose is on a quest: “Her heart was set on discovering something that had never been found…” Marcero’s rich language and evocative illustrations carry us along on this journey. Rose’s flights of imagination are distinguished from “real life” by use of a gorgeous blue that reminds me of cyanotypes. Her maps are worth poring over; a scientifically correct sky map is also filled with fancy–including “big dreams,” “empty thoughts,” and “first lines of poems” as well as a “brainstorm.” Close observers will recognize features of Rose’s journey covering the floor of her room before she embarks on her travels. This book will inspire readers to explore their own inner worlds. It is also a perfect choice to pair with Georgia Heard’s Heart Maps, (Heinemann, 2017).

How to Read a Book, by Kwame Alexander with illustrations by Melissa Sweet (Harper, 2019) is a love letter to the joys of reading. Alexander encourages readers not to rush: “Your eyes need time to taste. Your soul needs room to bloom.” This is advice we all should heed. Sweet’s illustrations of “watercolor, gouache, mixed media, handmade and vintage papers, found objects including old book covers, and a paint can lid” (and at least one map) add layers of meaning and wonder that will keep readers coming back to this book again and again. A Teacher’s Guide is available here.

                                   

Poetree, by Shauna LaVoy Reynolds, illustrated by Shahrzad Maydani (New York: Dial Books for Young Readers, 2019) stars a dreamer and poet named Sylvia. The book begins with Sylvia writing a poem about spring. She “…tied her poem to a birch tree…hoping that it didn’t count as littering if it made the world more splendid.” Poetry brings two children together and helps them move past the misunderstanding at the center of the story. Reynolds sneaks in sly humor adult readers will appreciate: characters are named Sylvia and Walt, a dog named Shel, and a teacher, Ms. Oliver. There is also a nod to Joyce Kilmer: “I never thought that I would see/such lovely poems from a tree…” Maydani’s graphite pencil and watercolor illustrations of soft greens and yellows (is that Amy Krouse Rosenthal‘s yellow umbrella?) add to the overall gentleness and love of this book.

Planting Stories: The Life of Librarian and Storyteller Pura Belpré, by Anika Aldamuy Denise, illustrated by Paola Escobar; (Harper, 2019) is a lovely biography of Pura Belpré, the first Latina librarian in New York City. When Belpré first traveled to New York, “words travel[ed] with her” and libraries were “ripe for planting seed of the cuentos she carrie[d].” This metaphor of a garden of stories is carried throughout the book and is echoed in Escobars gorgeous digital illustrations. The words she brought from Puerto Rico took root and “grew shoots into the open air of possibility, (emphasis mine) have become a lush landscape…” Her legacy is honored through the Pura Belpré Award. A select bibliography is included, as well as suggestions for further reading and a brief description of Pura Belpre’s own stories. A teaching guide is available here

                             

The Important Thing About Margaret Wise Brown, by Mac Barnett and illustrated by Sarah Jacoby (New York: Blazer + Bray, 2019) is, like its subject, an unconventional biography. Barnett gets to the heart of the matter quickly, though: “The important thing about Margaret Wise Brown is that she wrote books.” (p. 2) The truth is that Margaret Wise Brown had something to say and she didn’t let anyone stop her from saying it. The information Barnett includes underscores the fact that writers are real people. He includes possible origins of her stories: ”When Margaret Wise Brown was six or seven and she lived in a house next to the woods, she kept many pets.” (p. 7) Barnett asks thought-provoking questions, including “Isn’t it important that children’s books contain the things children think of and the things children do, even if those things seem strange?” These expand the range of who will appreciate this book. He also highlights important truths: “…in real lives and good stories the patterns are hard to see, because the truth is never made of straight lines” and “She believed children deserve important books.” (emphasis mine). Jacoby “used watercolor, Nupastel, and Photoshop magic to create the illustrations for this book” that give them a dreaminess we want to step into. Read and interview with Mac Barnett and Sarah Jacoby about the creation of this book here.

Picturing America: Thomas Cole and the Birth of American Art, by Hudson Talbott (Nancy Paulsen Books/Penguin Random House, 2018) takes us on another journey of discovery. Like many immigrants, when Thomas Cole and his family arrived in the US in 1818, they didn’t have much. Through hard work and sacrifice, Thomas discovered that “he had something to say and he was on his way to find it.” This book not only provides a brief introduction to the birth of the Hudson River School of painting, it helps children understand we all have something to say. Finding out what that something is and how best to express it is the journey of our life, it’s what gives our life meaning. Over the course of his life, Cole realized “he simply wanted to show what it meant to be human.”

    .     

In The Word Collector (Orchard Books, 2018), Peter H. Reynolds extolls the joy and power of words. We learn about Jerome and his passion for words: “Words he heard…words he saw…words he read.” Jerome uses his words in poems and songs, and ultimately, shares all his words. After all, isn’t that words are for? This book will inspire word collectors of all ages. Resources are available here.

 

When Sue Found Sue: Sue Hendrickson Discovers Her T. Rex, by Toni Buzzeo, illustrated by Diana Sudyka. (New York: Abrams Books for Young Readers, 2019) This biography is a celebration of curiosity, exploration of the natural world, and following your dreams. “Sue Hendrickson was born to find things.” Buzzeo tells the story of how Sue’s whole life lead to the moment in 1990 when she discovered “the world’s largest, most complete, best preserved, Tyrannosaurus rex fossil discovered so far.” Named in honor of her discoverer, “Sue” is now on display in Chicago’s Field Museum. A Teacher’s Guide is available here.

                    .  

What is Given from the Heart, by Patricia C. McKissack, illustrated by April Harrison (New York: Schwartz & Wade Books, 2019) is the “final, magnificent picture book from three-time Coretta Scott King Award winner and Newbery Honor author Patricia McKissack.” James Otis and his mother have had “a rough few months.” When a neighbor’s home is destroyed by fire, James Otis’s church rallies to help them. But he can’t imagine how he and his mother can help when they “aine got nothing ourselves.” After much searching and consideration, James Otis finds exactly the right gift for his neighbor. Harrison’s mixed media illustrations add depth to the emotions of James Otis, his mother, and their neighbors.

We Are Grateful: Otsaliheliga, by Traci Sorell, illustrated by Frané Lessac. (Charlesbridge, 2018) This book honors the Cherokee Nation’s tradition of otsaliheliga, an expression of gratitude that “is a reminder to celebrate our blessings and reflect on struggles–daily, throughout the year, and across the seasons.” A loving depiction of Cherokee culture, this is exactly the book we need right now: a reminder to be grateful for our family, our friends, and the many gifts of the earth.  

I am grateful for these books, their creators and the publishers who bring them into the world and make it a more beautiful place.

Note: I am editing my original post to include concerns about Home Is a Window. My original post included this paragraph about this book:

Home is a Window, by Stephanie Parsley Ledyard with illustrations by Chris Sasaki (New York: Near Porter Books/Holiday House, 2019) is an ode to the comfort of what is familiar: a favorite blanket or chair, a daily routine, a color. It also celebrates the fact that home isn’t necessarily a physical place; rather, it’s a feeling you have because of “the people gathered near.” This creative, comforting book is a perfect launching point for students to create their own definitions of home.

Cathy Mere also included this book on her list, but removed it after a reader raised “some concerns over the images in the text.” Cathy shared this link to CrazyQuiltEdi explaining her concerns about the images of several characters. 

My previous #PB 10 for 10 posts:

2017: Celebrating Nature
2016: Feeding Our Imaginations
2015: Poetry Picture Books
2014: Friendship Favorites
2013: Jane Yolen Picture Books
2012: Wordless Picture Books